visual, arts, holguin
Visual arts theory and critique day ended in Holguin. Photo: Taken from ACN

Holguin’s visual arts theory and criticism event ended in Holguin

With the personal exhibition “No es tiempo de flores” (No Time for Flowers), by historian and artist Bertha Beltran Ordonez, concluded in Holguin the sixth event of theory and criticism of visual arts Un disparo en el hueco (A shot in the hole).

In the collection, with more than 20 pieces and on exhibit since this Saturday, the author portrays her vision on the familiar and the traditional life, in which the use of color and textures, the use of varied formats such as books, magazines, canvases and mannequins, and the special assemblies presented with the works, makes the audience rattle.

Ernesto Galbán Peramo, art historian, explained the sensitive and immersive nature of the exhibition, which alludes to innocence,femininity and childhood of the author, and emphasized the consolidation of Beltrán Ordóñez as an artist, with a constant search for the hidden and the use of quotation and irony in her works.

The suggestive variety of supports, textures, materials and procedures used, make this series something varied where everything is connected to memory, explained Galbán Peramo.

“No es tiempo de flores”, open to the public at Sala Pequeña of the Provincial Center of Fine Arts, closes the sixth day of theory and criticism of visual arts that, in this edition, presented a wide-ranging program of lectures and panels by important figures of the genre in Cuba.

With information from Cuban News Agency / Translated by Radio Angulo

Leave a Reply

Your email address will not be published. Required fields are marked *